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・ The Mystery of the Burnt Cottage
・ The Mystery of the Cape Cod Tavern
・ The Mystery of the Chinese Junk
・ The Mystery of the Clockwork Sparrow
・ The Mystery of the Condor Hero
・ The Mystery of the Disappearing Cat
・ The Mystery of the Double Cross
・ The Myst Reader
・ The Mysterians
・ The Mysteries
・ The Mysteries (album)
・ The Mysteries of Alfred Hedgehog
・ The Mysteries of Glass
・ The Mysteries of Harris Burdick
・ The Mysteries of Laura
The Mysteries of London
・ The Mysteries of Love
・ The Mysteries of Paris
・ The Mysteries of Pittsburgh
・ The Mysteries of Pittsburgh (film)
・ The Mysteries of Providence
・ The Mysteries of the Horizon
・ The Mysteries of Udolpho
・ The Mysteries of Verbena House
・ The Mysterious Affair at Styles
・ The Mysterious Avenger
・ The Mysterious Beauty
・ The Mysterious Benedict Society
・ The Mysterious Benedict Society (series)
・ The Mysterious Benedict Society and the Perilous Journey


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The Mysteries of London : ウィキペディア英語版
The Mysteries of London
''The Mysteries of London'' is a penny dreadful or city mysteries novel begun by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series of this immensely popular title.
Michael Angelo in ''Penny Dreadfuls and Other Victorian Horrors'' writes:

Reynolds had read Eugene Sue while in Paris and was particularly impressed by his novel Les Mystères de Paris (The Mysteries of Paris). It inspired Reynolds to write and publish a penny part serial The Mysteries of London (1845), in which he paralleled Sue's tale of vice, depravity, and squalor in the Parisian slums with a sociological story contrasting the vice and degradation of London working-class life with the luxury and debaucheries of the hedonistic upper crust. An early socialist and a Chartist sympathizer, Reynolds had a genuine social conscience, and he contrived to stitch into the pages of his books diatribes against social evils and class inequities. (79)

Instalments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction.
After Reynolds quit ''The Mysteries of London'', he began a new title: ''The Mysteries of the Court of London'', which ran from 1848 until 1856.
==Plot==
The closest the stories have to a hero is the character Richard Markham, and the most villainous of the cast of villains the Resurrection Man, a serial killer.〔Anne Humpherys, Louis James G.W.M. Reynolds: Nineteenth-century Fiction, Politics 2008 - Page 159 "The Resurrection Man is the principal underworld villain of the serial, stalking Richard Markham and robbing, killing and exhuming his way through the text, impossible to destroy until the finale. He is finally killed by his own double, Cranky "〕

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